Neo-classical meets Romantic...
good stuff -Noel

good stuff -Noel

no method, no guru, no teacher
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camel |
Jean-Auguste-Dominique Ingres |
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Neo-classical meets Romantic...
good stuff -Noel ![]() no method, no guru, no teacher
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afterimage |
Re: Jean-Auguste-Dominique Ingres | ||
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I love his portraits. The people depicted always comes across as rich and beautiful aristocrats (which they obviously are), but with this open, face that you can then imagine all sorts of emotions behind the eyes.
I'll find an example... ![]() Madamoiselle Riviere 1805; Louvre, Paris This is my favourite Ingres portrait... she looks like a little doll dressed up to look like a full adult. I find the gloves are a striking contrast to the fur. But it's the eyes that mesmerise me. Very exotic. Ingres also painted this young lady's, mother and father, which give you a nice idea of the full family. I recently picked up a nice book with large colour plates at the markets for $2, unfortunately, it didn't have the picture above in it... Art books are a true weakness for me... *Amanda
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anoshun |
Ingres, the artistic draftsman | ||
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How are you enjoying this subjectivity lately, Noel?
So, Inges is one of the all time figurative draftsman. I discovered him in my mid-twenties. Still doesn't compare to Da Vinci or Bernini, but I still think he's brilliant and one of the best figurative artists ever. I'm more fond of John Waterhouse, John Singer Sergeant as they seems to be more lively...with their personal style. |
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camel |
Re: Jean-Auguste-Dominique Ingres | ||
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John Williams Waterhouse certainly expanded upon Ingres' style. His 'Hylades and the Nymphs' is a great example. The wanton -believable- look on the faces of the Nymphs renders the women in 'The Turkish Bath' almost prosaic in comparison. However, it is as Amanda put it, 'behind the eyes' of the women where one is drawn. Nearly all the senses are tantalised in 'the Bath'. One woman plays an Oud. There is perfume and incense in the air (one woman holds a brazier full of myrrh -or frankinsence, perfuming the very Celtic-looking blonde's hair). Each woman's gaze seems directed at something specific. Some seem orgiastic, some very focused, others are slipping into contended languor. The imagination runs wild.
And what's in the vessels on the tray? Mint tea? Turkish coffee (a weakness of mine)? Claret? Very stirring picture. Cheers, Noel no method, no guru, no teacher
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anoshun |
The Influence of Ingres | ||
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It's true Noel, Ingres was majorly influential in the academic world of drawing and painting....all the pre-French Revolution artists weren't quite as free thinking as Ingres with his nudes. Perhaps they couldn't show their drawing expertise in this useful way that Ingres chose. One of my favorite nude paintings ever is Ingres "The Source"- it's economical in it's single woman and the detailed modeling, well developed color....what can I say, he could draw too well. His great paintings are rare, and I like his later things....the reflections of 'The Source' are nearly mirror perfect.
to view a good collection of Ingres' drawings, paintings, and "The Source": www.geocities.com/ingresweb/ www.ibiblio.org/wm/paint/auth/ingres/ |
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